Dean (in Detroit) and Phil (in Los Angeles) celebrate the lives of three amazing women: Performer-turned-novelist Echo Brown, Pilot-turned-architect Beverly Willis, and Detroit’s very own screen legend Piper Laurie. The latest implosion in the negotiations between the actors and the studios gets discussed, analyzed, and what it means for TV and Film production gets predicted. Where television is concerned, your friends in podcasting and broadcasting offer up thoughts on the recent social media furor surrounding Martin Short, and the merits of “Only Murders in the Building” season 3, “Reservation Dogs” season 3, and “Our Flag Means Death” season 2. Where movies are concerned, Dean checks in with a review of The Creator, while Phil weighs in on William Friedkin’s final film and Wes Anderson’s brand new Roald Dahl adaptations for Netflix.

Dean tells stories about the Sydney Opera House. Phil tells stories about an amazing interview he did for his “other” podcast and tells an hilarious story about his upcoming bachelor party. Dean and Phil then share “What We’re Reading” and compare notes on the healing nature of live classical music in the “Live Event of the Week”. A little good news about HBO’s terrific “Barry” is shared in discussion of the Emmy Awards and Dean sings the praises of the Canadian adventure series “Frontier”. Then, your friends in podcasting tackle a wide range of cinematic efforts, from Elia Kazan’s classic film noir Panic in the Streets to the Jack Lemmon vehicle The Days of Wine and Roses, from John Carpenter’s masterful (and initially rejected) The Thing to a current release that has met with praise and promising box office, even though it’s all sorts of awful. Finally a legendary and groundbreaking dancer is remembered in “Celebrity Deaths”. Oh, yeah, and if that wasn’t enough, no actor, editor or filmmaker will want to miss the discussion inspired by an email from a loyal listener …