Your friends in podcasting and broadcasting start the show with a “cold open” about some greats of Italian cinema and the genius of Jennifer Coolidge and the cinematographer of “The White Lotus”. Then, after Phil regales with tales of a one-day, 650 mile road trip to Turlock and back, Dean and Phil spend the bulk of the show doing a deep dive into analyzing the year in movies 2022. They take the 10 nominees for the Best Picture Oscar and compare/contrast that list with both the critics’ choices for the top dozen or so films of the year and the top ten box office releases of the year. What emerges is an analysis of the present, and perhaps the near future of moviemaking and movie-going.

Happy St. Stephen’s Day, Happy Boxing Day, Happy (final day of) Hanukkah AND Happy 2nd Day of Christmas! Dean and Phil celebrate it all by comparing notes on their holiday celebrations, by sharing stories of Dean’s jury duty and of Phil’s cross-country travels with THE Fuzz Aldrin! Film critics everywhere have been weighing in on the best movies of 2022. Dean and Phil will check in on their consensus picks (thus far). They will also discuss a handful of current and recent releases, including Guillermo Del Toro’s “Pinocchio”, the dark satire “The Menu”, Ti West’s “X” and “Pearl”, and they re-visit the recent comedy actioner “Bullet Train”, using it as an excuse to analyze the work of Ryan Reynolds, and to celebrate the greatness of Michael Shannon.

Next Monday, your friends in broadcasting and podcasting will return with a brand new “live” show that will catch you up on all the news of the season. This week, it’s part two of the road trip adventure Dean and Phil recorded on Friday December 9 when they drove from downtown Los Angeles to Montecito and back. The Sight and Sound poll of the greatest films ever made, the #16 film on that poll, surrealism, dream logic, and the works of Luis Bunuel and Salvador Dali are the topics that open the proceedings. Then, after a shift to the (very loud) Summerland Beach Café, Phil tackles two films making a lot of Top Ten Lists this year: the donkey adventure tale EO and the latest from auteur Robert Eggers, The Northman. Please bare with the difficult audio, for soon Dean and Phil will be back in the car, riding alongside the sparkling blue Pacific and discussing the Netflix series “1899”, the improv collaborations of Jonathan Winters and Robin Williams, and whole lot of casting “what-ifs”. There is also analysis of a law-change benefiting sexual assault survivors, and a fascinating “trash talk” interaction in the National Basketball Association. Hop in and buckle up!

Pile into the back of the car, buckle up, and join Dean and Phil, reunited on the mean streets of downtown Los Angeles, as they make their way into Hollywood for a live improv comedy show! On the way there, Dean reveals his Thanksgiving celebrations, Phil reveals his birthday celebrations, and they discuss the life and legacy of Irene Cara, and analyze a very important and interesting weekend at the box office. Such movies as Glass Onion: A Knives Out Mystery, Spirited and The Fabelmans get reviewed. On the way back downtown, they take a deep dive into different kinds of improv comedy AND improv comics. Dean gets weepy about a robot documentary before he sings the praises of the Netflix series “Wednesday”. Phil does likewise with season 2 of “The Mysterious Benedict Society” before he and Dean close with thoughts about season 2 of “Avenue 5”.

During this week’s cold open, Dean and Phil finish up their discussion of Marlon Brando and Jack Lemmon, offering up some final movie recommendations. Phil is back after a lengthy trip to the east coast and he returns with tales of a Shakespeare Theater production about Leonardo Da Vinci and thoughts inspired by Hurricane Ian about how human beings become fixated on the statistically anomalous and he also shares with Dean the exciting way in which their former podcasting home – the Eastern Columbia Building – had a starring role in the new season of Amazon’s fashion competition show “Making the Cut”. Loyal listener Maurice Terenzio checks in with a thought-provoking email that brings the conversation back to Marlon Brando before the return of Lawsuit of the Week focuses Dean and Phil’s attention onto the ill-fated Alec Baldwin western Rust. Celebrity Deaths begins by bringing the conversation once again back to Marlon Brando (!) with a remembrance of activist and artist Sacheen Littlefeather. Many other notables get remembered as well, including an Oscar-winning actress, a comedic “love goddess”, a comic book artist who dazzled live audiences, and a chart-topping rapper-turned-reality star. Finally, two movies get reviewed: the current whodunit theatrical release See How They Run and the 2020 Netflix offering from Charlie Kaufman, I’m Thinking of Ending Things.

After a cold open that involves a fascinating horror film from the UK in the 1940s (a rarity at the time) and the scientific theories it helped spawn, Phil reveals the horrific travels he undertook since he last convened with Dean on YOUR Chillpak Hollywood Hour! In “Celebrity Deaths”, the political cinema of Jean-Luc Godard gets analyzed, and the lives and careers of five performers and a jazz master get celebrated. Then, it’s back to the movies, with Dean recommending a current horror film and Phil revealing the two mysteries currently in theaters he is dying to see, before he and Dean sing the praises of several “Stranger Things” cast members and then try to figure out what went so right with one Ryan Reynolds vehicle from director Shawn Levy, and what went so wrong with another Ryan Reynolds vehicle from director Shawn Levy!

Dean and Phil start the show by answering a question they posed last week about The NeverEnding Story. A question about Dean’s painting leads into a deep-dive discussion about scheduling, energy management, and the time of transition in which we all find ourselves. In “Celebrity Deaths”, a character actor-turned-acting instructor gets remembered, as does a true renaissance man known primarily for playing gangsters! Olivia Newton-John’s career also gets examined at great length, including her starring role in a 1970 science-fiction film and how history could have been different had that film been a hit. Phil is more than a little bit grumpy about a “Live Event of the Week” and he and Dean wonder if Amadeus might be the most mediocre movie ever to win Best Picture. Mediocrity itself is discussed as a business model, and Netflix is in the crosshairs!

On this week’s show, Dean shares with Phil his jury duty “cheat code”, Phil shares with Dean fascinating historic facts and rumored hauntings surrounding the town of Turlock, and they discuss another David Lynch-Mark Frost television collaboration from the late 1980s, and this one was supposed to star Steve Martin and Martin Short! Speaking of those comedy greats, their co-star from “Only Murders in the Building” has a new movie in development, a remake of a 1980s classic. Dean and Phil discuss it and they analyze the ever-shifting landscape in the battle between theatrical movie-going and streaming releases, a battle that movie theaters seem to be winning. A terrible new Netflix movie gets discussed as does the rather spotty track record of its celebrated directors. Other topics covered include “Better Call Saul”, the casting of Bullet Train and Craig Kilborn’s new podcast. Finally, in “Celebrity Deaths”, three trailblazers get remembered: Pat Carroll, Bill Russell and Nichelle Nichols.

This week’s show is a bit of a pastiche, cut together from snippets of different conversations Dean and Phil have had these past couple weeks. So, after a hilarious “audio check” cold open, if you hear references to topics not yet covered, don’t worry, it all weaves together wonderfully by the end in what might just be one of our best shows of the year! Phil discusses the forthcoming Netflix reboot of Beverly Hills Cop and the (unwanted by the producers) role he might play in it, and whether its filming location means he lives closer to Detroit than Dean does! The subject of “soft tissue” and the importance of stretching and yoga get discussed in the wake of Phil learning about what it means to “pop a rib”. The reason firefighters carry axes gets explained. The graphic design creative explosion that was the late 70s and early 80s is the subject of a gallery exhibit at the Pacific Design Center and it leads Dean to reminisce. When he was in London, did Dean experience the magic of the Elizabeth Line? And did he get to England through the worst itinerary ever? And what exactly did he get wrong when describing the Billy Wilder failure Kiss Me Stupid? These questions all get answered and the great improv comic turned successful character actor Mike Hagerty gets remembered in “Celebrity Deaths”. And if that weren’t enough, Phil takes the time to interview Russ Haslage about his career in radio, the “wonder” of Subspace, and the history of the fine works by The Federation (and how YOU can help)!

From the sublime to the ridiculous, from the cosmic to the deeply personal, Dean and Phil are going deep on this week’s show! Remembering the haunting, ethereal “voice” of “Twin Peaks”, Julee Cruise, leads into ruminating about the afterlife, hauntings, consciousness, and moral underpinnings to the universe. This, naturally, involves analyzing two new Netflix comedy specials – Ricky Gervais’ “SuperNature” and Norm MacDonald’s “Nothing Special” – and two fascinating and troubling cinematic releases of the late 60s – Otto Preminger’s Skidoo and Richard Brooks’ In Cold Blood.