Awards season is finally behind us and Phil is finally back in Los Angeles, and normalcy is restored on this week’s episode, or at least as much as “normal” is ever on our audio menu! Dean and Phil will reveal any thoughts they have about last week’s Oscars as well as if or how they celebrated St. Patrick’s Day this weekend. In a “Live Event of the Week”, Phil will regale with stories about seeing the great indie rocker Hamilton Leithauser at the legendary Cafe Carlyle. Five movies get discussed: the current smash hit Dune 2, a possible future cult favorite Argylle, the recent Marvel flop The Marvels, the interesting Nicolas Cage vehicle Dream Scenario, and the brand new, utterly brilliant performance documentary Ryuichi Sakamoto | Opus. All that, plus a groundbreaking stunt performer and a British actor of stage and screen get remembered in “Celebrity Deaths”.

Because Phil is traveling, he and Dean pre-recorded this week’s show on Sunday morning BEFORE the Oscars, so there will be scant little Academy Awards conversation on the episode. Instead, Dean and Phil re-visit some of the more troubling aspects of the legacy of “The X-Files” and examine two other television series: The acclaimed “The Bear” and the divisive season 4 of “Star Trek: Discovery” (including friend of show Luke Y. Thompson’s hilarious review of season 4). Last week’s “Live Event of the Week” gets re-visited thanks to an email from the subject of that segment! We will learn more about the great dancer and teacher Fujima Kansuma and Dean and Phil will ponder the possibility of someday taking a “deep dive” into the art of Kabuki on the show! Two fascinating films get discussed: Wim Wenders’ 1993 Wings of Desire sequel, Faraway, So Close! and the 7th greatest film of all time according to the Sight and Sound Poll, Claire Denis’ 1999 masterpiece Beau Travail (which is having a 25th anniversary re-release). “Celebrity Deaths” includes a bit of a quiz for Dean about a legendary Japanese artist and Canada’s First Lady of Jazz, before a great Italian filmmaker, an influential and controversial British playwright, and a beloved “entertainer” all get their turn in the spotlight.

This week’s show begins with an email from a loyal listener about the Bree Sharp song “David Duchovny” and the unofficial video for it in which Dean participated. Then, Phil talks about what is going on his beloved Siren Radio in the UK. A petition has been launched to try and save the station to which Phil has been contributing for more than 12 years (read and, if so moved, sign the petition at https://www.change.org/p/support-our-siren-saving-siren-radio-lincoln-s-first-community-radio-station). This leads to a discussion of curated experiences and supposedly outmoded media. From there, the conversation switches to the impact of Bicycle Thieves on the big screen and that classic’s influence on Pee-Wee’s Big Adventure. The surprising good news of a just-released global box office smash hit gets cheered. Of course, “awards season” is reaching its climax, and Dean and Phil analyze what we can know will happen at the Oscars based on this weekend’s SAG Awards. The multi-award-winning miniseries “Beef”, its writing and its stars get hailed. Phil also shares a great story about Annette Bening and both her present, and one of her past, Oscar nominations. All that plus Phil regales with tales of the Autry Museum of the American West in the wake of emceeing a major event there. Finally, the lives of three fascinating music figures get remembered in “Celebrity Deaths”.

This week’s show will pick up right where last week’s Season 4 Episode 6 left off, with a pre-recorded segment wherein Dean Haglund reveals his top two films of 2023, and Phil Leirness reveals his number one choice. Then, Dean and Phil hook up live on digital audio to discuss a wide array of topics, including: the choreography of Pina Bausch, the German nominee for the Best International Film Oscar, the Mardi Gras jazz of Delfeayo Marsalis (and a real-life backstage mystery!), the Houdini Estate in Hollywood, “Bicycle Thieves”, the French classic “Diva”, and why February 10 was a terrible day for breakfast!

Who doesn’t love a sequel?! Your friends in broadcasting & podcasting return with part 2 of their celebration of the best in cinema from 2023. If you listened to part 1, you know this is no ordinary “Top Ten” show. Ultimately, dozens of films and just as many topics will get explored. This week the topics include editing, black and white, curated experiences, gender identification, feminism, entertainment and films from a wide variety of filmmakers and genres, including Past Lives, Poor Things, The Holdovers, The Creator, All of Us Strangers and many more.

Welcome to a truly great episode and it all starts with an alternately touching and hilarious cold open! In “Celebrity Deaths”, Dean and Phil remember a jazz music pioneer, an actor who was an important influence on Dean, and a versatile, prolific, Oscar-winning filmmaker. Last week’s Oscar nominations get analyzed, as does the ensuing anger surrounding supposed “snubs”. After the break, the great film critic Luke Y. Thompson joins the fun, discussing how critics, like performers, can get “pigeon-holed”. He offers up thoughts on the Oscar-nominated The Zone of Interest and the underrated Beau is Afraid, and hips you to a black and white sci-fi comedy that is well worth your 68 minutes! He even talks about toy reviews and toy photography! And trust us, this episode offers a lot of laughs! Find links to all of Luke’s articles and reviews at https://linktr.ee/lytrules. And learn about his work as a toy collector, photographer and reviewer at https://www.eql.com/media/adult-toy-collecting

 

In a cold open, this week’s show begins where last week’s show left off, with Phil delighting Dean with some surprising facts about the late comedic genius Tommy Smothers. After that, Dean and Phil dive into “Awards Season” news, offering up thoughts on the recent Emmy Awards, the forthcoming Oscar nominations, and on how viewing of awards shows might change in the years to come. Suffice it to say, your friends in podcasting and broadcasting have both bones to pick and things they hope to see. Speaking of “see”, Phil saw The Zone of Interest in the recently remodeled and re-opened movie theater where he was married. Dean saw the highly acclaimed romantic comedy from Finland, Fallen Leaves, and explains why he did not enjoy it. He also takes the time to explain why Phil does not enjoy the all-time classic screwball comedy Bringing Up Baby! Dean and Phil also weigh in on their thoughts regarding Alec Baldwin (once again) getting charged with involuntary manslaughter for the on-set death of cinematographer Halyna Hutchins. All that, plus Phil turns “Celebrity Deaths” into a game, quizzing Dean on his cultural literacy, and there is a crackerjack production meeting on the air!

Last week, Dean and Phil got Season 4 of YOUR Chillpak Hollywood Hour underway with an hilarious and fascinating installment recorded in the nation’s capital. This week, Dean is back in Detroit, Phil is back in Los Angeles, and they have a ton to follow up on, as well a great deal of show biz to news to catch up on! Here is just some of what they have on their agenda: Dean’s thoughts about the need for all-encompassing cultural experiences, highlights (and lowlights) from his D.C. adventures with friend of show John Kay Steel, two inspiring live events Phil attended this week, the avalanche of movie and television award news, a juicy celebrity-laden “Lawsuit of the Week”, and several “Celebrity Deaths”.

This week’s show begins with a mea culpa to those of you who actually listen to the show in podcast form. After that, your friends in podcasting and broadcasting follow up on last week’s “What We’re Reading” with amazing tales of the Knights of Malta and of the great artist Caravaggio’s time in Malta. Then the Hall & Oates “Lawsuit of the Week” gets revisited and clarified, before loyal listener Maurice Terenzio sets Dean straight on a lawsuit that involved puppetry giants Sid & Marty Krofft. In “Celebrity Deaths”, a groundbreaking pianist, a groundbreaking soap opera actress, a trailblazing television producer, an Oscar nominated French Actress, and a beloved American movie star all get remembered. And because awards season in Hollywood is now in full swing, two new television series get described and appraised.

Dean (in Detroit) and Phil (in Los Angeles) celebrate the lives of three amazing women: Performer-turned-novelist Echo Brown, Pilot-turned-architect Beverly Willis, and Detroit’s very own screen legend Piper Laurie. The latest implosion in the negotiations between the actors and the studios gets discussed, analyzed, and what it means for TV and Film production gets predicted. Where television is concerned, your friends in podcasting and broadcasting offer up thoughts on the recent social media furor surrounding Martin Short, and the merits of “Only Murders in the Building” season 3, “Reservation Dogs” season 3, and “Our Flag Means Death” season 2. Where movies are concerned, Dean checks in with a review of The Creator, while Phil weighs in on William Friedkin’s final film and Wes Anderson’s brand new Roald Dahl adaptations for Netflix.