This week’s show begins with “What We’re Reading” and continues by asking such big questions as: Is the John Wick franchise the best action franchise ever? Is “Andor” the best iteration of Star Wars ever? Is “Severance” one of the best television series ever? Was there anything memorable from last week’s Oscar telecast? Are the prosecutors in the Alec Baldwin Rust shooting case arriving to work each day in a clown car? Was comic strip “Dilbert” a victim of cancel culture? Are the edited versions of the James Bond novels coming out an effort to get ahead of cancel culture or a shameless money grab? Both? Is Peacock’s “Poker Face” Rian Johnson’s remake of “Columbo” or “The Fugitive”? Or both? All that gets discussed and three popular actors get remembered in “Celebrity Deaths”.

Dean and Phil commiserate about power outages in Dean’s Michigan neighborhood and about snow in Los Angeles! More important than winter season weather, however, are which way the winds are blowing in Hollywood’s award season and they discuss the latest news and how it affects handicapping this year’s Best Picture Oscar race. Long before it was called “Best Picture”, the top Oscar was called “Best Production” and Phil analyzes one of its earliest recipients – Cimarron, one of the only westerns ever to win the top prize from the Academy of Motion Picture Arts and Sciences. Another western also has Phil’s attention: Red Sun starring Charles Bronson, Toshiro Mifune and Alain Delon. Phil follows up on last week’s remembrance of Raquel Welch, by sharing thoughts on and stories about one of her earliest films, Lady in Cement starring Frank Sinatra. Finally, Phil saw a screening of the great Italian classic The Conformist and discussion of this leads to appreciations on the art of editing and some of its greatest practitioners, as well as an appreciation for the great production designer Ferdinando Scarfiotti. Dean also saw a movie this week – the current (modest) box office hit 80 for Brady and Dean actually sings its praises! Dean also has two personal stories about the great stand-up comedian-turned-actor Richard Belzer (with whom he starred in and episode of “The X-Files” exploring the origin of the Lone Gunmen). Other notables remembered in “Celebrity Deaths” include a big screen star of the 60s and 70s, and a 6 time Emmy-nominated television actress of the 80’s and 90s.

One of the things Dean Haglund and Phil Leirness mean when they call it YOUR Chillpak Hollywood Hour is that they enjoy discussing the things you want them to talk about! This week’s show is a perfect example, as they share four messages they have received from listeners like you (yes, YOU!) on topics ranging from influential comedians, to a famous London cat, to a music show on Sky TV! They will also follow up on last week’s discussion about the greatest year for movies by discussing the greatest Canadian films of all time! Of course, you can come for the comedy, the camaraderie and the classic cinema, but you’ll stay for the “Celebrity Deaths”. This week, a country rock legend, and one of the greatest all-time film composers get remembered, and a member of the Chillpak family who died way too young will get celebrated as well. All that, plus Dean’s trip to D.C., thoughts on the USA’s relationship with death, and the comedy audio pilot “SleeveTalkers” (which you can enjoy at https://succotash.libsyn.com/succotash-shut-in-epi209-special-presentation-sleevetalkers-pilot) get discussed.

From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.

In many ways, this week’s show is a sequel to last week’s episode #534, with the promised celebration of Jeanne Moreau’s life and career, an email from a listener about Tom Jones’ “The Young New Mexican Puppeteer” and more from the British Film Institute List of “the 50 films you should see by the age of 14”.

Unlike most sequels, however, this show is even more irreverent, insightful and informative than last week’s!

The festivities commence with a clip of Dean on Australian television telling a (bestiality?) joke, and then after a special opening (a tribute to Glen Campbell), Dean comes out guns blazing, ranting about the internet speeds of his adopted land. After Phil calms him down, they discuss the news of David Letterman’s new show, they urge people to save the Salem Cinema (a jewel of the Pacific Northwest), they talk about an interview they did with the late Jim Marrs and they continue their discussion about the “death of discernment”, this time focusing on an appalling memo crafted by a then member of the National Security Council.

 

From there, it’s onto “Celebrity Deaths”, where, in addition to the Femme Fatale of the French New Wave and Glen Campbell, your friends in podcasting remember a Tony-winning star of Broadway’s “The Music Man”, the star of an early television western series turned right-wing anti-government activist, and the man inside the Godzilla costume.

Finally, Dean and Phil discuss a 1982 Australian western, a 1954 western that influenced the likes of Sergio Leone and Sam Peckinpah, the original King Kong, and the Will Rogers comedy Life Begins at 40.

The great film theorist André Bazin described the genre of the movie western as “the American film par excellence.” Your friends in podcasting could not agree more! That’s why on this week’s show (their 2nd of 10 “Top Ten” shows commemorating this, the 10th year of YOUR Chillpak Hollywood Hour), Dean and Phil count down their Top Ten All Time Westerns.

What films will make the list? What films won’t? Will Dean have difficulty numbering 10 to 1?

These questions and many more will be answered during the next 75 minutes. Enjoy!