On this week’s episode, the Queen of Technicolor, a World War II hero, an iconic magician and a couple of musical legends get remembered in “Celebrity Deaths”. Dean and Phil will follow up on last week’s discussion of their favorite bookstores with a couple more favorites, including one New York landmark facing a crisis. Phil will ask Dean his thoughts about recent comments made by Chris Carter about Gillian Anderson that have not been sitting well with fans. Phil and Dean will also try to make sense of the spectacular (and spectacularly expensive) failure that was Quibi. All that, plus your friends in podcasting will be weighing in on season 3 of “Star Trek: Discovery”, HBO’s exploration of the NXIVM cult, “The Vow”, and Spike Lee’s joint of “David Byrne’s Utopia”.

From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.