It’s Happy Birthday to Dean Haglund and boy has he been celebrating! On this week’s show, you will hear all about his celebrations. You will also hear about his road trip to upstate New York. And you will hear about a very bizarre social calendar for Phil! The latest news in the writers and actors strikes gets discussed, as does the controversy surrounding “waivers” being granted to certain productions. Dean offers up at least one more television series from the past you might want to avail yourself of while you wait for new seasons of your current favorites. Phil sings the praises of “Star Trek: Picard” Season 3 and Season 1of “Shrinking”. Last week, Dean revealed what he thinks of as Robert De Niro’s 5 greatest performances. Phil follows up with a couple of alternative picks this week. Finally, the surprising box office performance (failure?) of Mission: Impossible – Dead Reckoning Part One gets analyzed, and the film’s strengths get celebrated and missteps get dissected.

Recorded late last week from a certain “historic building in downtown Los Angeles”, this episode begins with Phil doffing his cap about what Dean got right in discussing Sarah Polley’s Women Talking a few weeks back AND wagging his finger at what Dean got wrong while discussing Netflix’s “Wednesday” this past week. Phil then hails Joel de la Fuente (of “Man in the High Castle” and most recently “The Mysterious Benedict Society”) as his favorite actor. At that point, Dean and Phil switch gears for a show ten years in the making, analyzing the just-released, decennial Sight and Sound poll of all-time greatest films! What Dean and Phil were expecting and what surprised them leads to what promises to be an ongoing conversation about re-contextualization and the importance of learning how works of art resonate with different groups and different cultures.

After another hilarious cold open, Dean and Phil briefly discuss the actors George C. Scott and William Shatner, the time their careers intersected, and how memory might have played a role in their careers. Then, it’s a deep dive into the careers of two of the most accomplished screen stars of the 2nd half of the 20th Century: Marlon Brando and Jack Lemmon! Some of the greatest movies, filmmakers and writers take their turns in the spotlight, as do several overlooked or under-appreciated gems!

Dean and Phil knew they were going to be celebrating the career of the great actor and star James Caan on this week’s show and then the floodgates opened, with many beloved character actors exiting the stage, so after a brief and hilarious cold open, Season 3 Episode 23 begins with “Celebrity Deaths”. Then, the whole concept of “celebration” as a lost “art” gets explored, before your friends in podcasting use it as a springboard to discuss several current television series and a handful of truly brilliant performances. The big screen will not be ignored either, as the cinematic output of Edgar Wright gets examined through the prism of his recent ghost story (Last Night in Soho) and a baseball comedy classic from the 1970s gets revisited.

This week, Dean and Phil discuss a limited television series about the making of “The Godfather”, Season 3 of Amazon’s “The Boys”, the new AMC series “Dark Winds”, and whether Dean was ever in an episode of “Lonesome Dove”. Phil’s travels to Turlock get talked about, as do lava rocks, the recent planetary alignment, Lily’s final week as president of The Los Angeles Breakfast Club, safety (or “warning”) art, and Braille Institute’s Braille Challenge. Your friends also respond to emails, tweets and texts from loyal listeners like you (yes, you!), pertaining to such topics as Kim Novak, the oft-discussed Skidoo, Jean Harlow, whether last week’s episode was a paid advertisement, and “Celebrity Deaths”.

If you haven’t listened to last week’s episode #455, make sure to do so BEFORE you check out this week’s brand new show. Your friends in podcasting pick up where they left off as both Dean and Phil will reveal their Top Four favorite television series of 2015 (10 thru 5 were counted down last week). After that, Phil explains why he is so thrilled about the sequel to Blade Runner that is finally going before the cameras this summer, and in “Celebrity Deaths” one of the most important entertainment figures in Asia and a beloved American character actor are both remembered. Dean and Phil then tackle Hollywood’s award season, including analysis of the Producers Guild and Screen Actors Guild Awards, before launching into the LATEST controversy over the Oscars’ lack of diversity (#‎oscarsowhite). Boycotts generate headlines, membership changes … change the membership. Real change, however, might involve actually changing the awards themselves and your friends in podcasting have some serious ideas in this regard, changes that will reward those unsung in the business for too long, refocus the purpose of the awards AND might just lead to greater diversity. That’s all this week on YOUR Chillpak Hollywood Hour.

This week’s show is over five and a half years in the making.

It starts with your friends in podcasting revealing their all-time Top Ten Films.

Then, they reveal the all-time Top Ten according to all the guests who have appeared on YOUR Chillpak Hollywood Hour!

What films will make the cut?

We wouldn’t dream of spoiling it. HOWEVER, we CAN let you know that these films did NOT make the top ten, though they came very close, finishing in positions twenty-four through eleven:

24. Vertigo (Director: Alfred Hitchcock, Year: 1958)
23. Apocalypse Now (Francis Coppola, 1979)
22. Amelie (Jean-Pierre Jeunet, 2001)
21. A Clockwork Orange (Stanley Kubrick, 1971)
19. TIE – Pulp Fiction (Quentin Tarantino, 1994), The Big Lebowski (Joel Coen, 1998)
18. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964)
17. Wings of Desire (Wim Wenders, 1987)
16. the Matrix (The Wachowskis, 1999)
15. The Third Man (Carol Reed, 1949)
14. Chinatown (Roman Polanski, 1974)
13. Fellini’s 8 1/2 (Federico Fellini, 1963)
12. Goodfellas (Martin Scorsese, 1990)
11. Lawrence of Arabia (David Lean, 1962)

Got your popcorn? Then, let’s go to the movies!